PUBLICATIONS

 

2025    朱樂庭，〈看得到，抓不著〉，明報星期日生活，2025年5月25日，頁7。 (Chu Lok Ting,  "Something he could see, but couldn't touch", Sunday Mingpao, 25 May 2025, pp. 7.) (Chinese only)

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2023    朱樂庭，〈究竟是神創造人，還是人創造神？〉，明報星期日生活，2023年1月29日，頁7。 (Chu Lok Ting,  "Did God Create Man, or did Man Create God?", Sunday Mingpao, 29 January 2023, pp. 7.) (Chinese only)

 

2022    朱樂庭，〈墓之墓〉,明報星期日生活，2022年7月17日，頁7。 (Chu Lok Ting, "Grave of Grave", Sunday Mingpao, 17 July 2022, pp. 7.) (Chinese only)

 

 

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REVIEWS & PRESS COVERAGE

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2025    Panda Chow ，〈專訪朱樂庭 Natalie Chu  •  九仞 探索者 Memory Smuggler〉，Panda Chow Studio，14 May 2025。 (Panda Chow, "Interviewing Natalie Chu •  the Explorer in Memory Smuggler", Panda Chow Studio, 14 May 2025.) (Chinese only)

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2025    德尼思化，第10集，2025年5月26日。 (Delis.ver, episode 10, 26 May 2025.) (Chinese only)

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2025    Bonnie Yau，〈藝術三月｜專訪香港新畫廊Alisan Atelier、Podium Gallery及To Art House主理人，為藝壇注入新活力 ！〉，VOGUE，2025年3月21日。(Bonnie Yau, "Art March｜Exclusive Interview with the Founders of Hong Kong's New Galleries: Alisan Atelier, Podium Gallery, and To Art House, Bringing New Energy to the Art Scene!", VOGUE, 21 March 2025.) (Chinese only)

 

2024    尚善，〈旅發局 「藝聚香港」推動年青藝術家走向世界　展現香港藝文特色〉，​香港01，2024年3月29日。  (Sheung Sin, "'Hong Kong Art Now' by the Tourism Board Takes Young Artists towards the World", HK01, 29 March 2024.) (Chinese only)

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2023     〈堅尼地城石碑〉​，載梁基永，《香江佳城 香港華人古墓兩千年史》，香港：商務印書館，2023，頁128。 ("Steles in Kennedy Town", in Liang Ji Yong, 2000 Years of Ancient Chinese Graves in Hong Kong, 2023, pp. 128.) (Chinese only)

 

2023    Christine Chan Chiu (2023). Postmodern Tales at HART. Artomity Magazine, Winter 2023, pp. 86-87.

 

2023    馮以力，〈當代書法藝術的縱橫錯步——對各種發展進路之反思與相榷〉，載《橫山獎：2022橫山書藝研究與評論雙年獎》，桃園：桃園市立美術館，2023，頁218-237。 Fung, Y. L. (2023). The Crisscrossing of Contemporary Calligraphy—a Review of Developments and Possibilities. Hengshan Awards: 2022 Hengshan Biennial Awards for Calligraphy Research and Criticism (1st ed., pp. 218-237). Taoyuan, Taiwan: Taoyuan Museum.

 

2022    張廷匡，〈表靈蘊真  積虛凝實  朱樂庭的水墨繪畫探索〉，載《美術家》，二〇二二年冬，第十六期，美術家出版社，頁57-62。 ( Louis Cheung Ting Hong, "Chu Lok Ting’s Exploration of Ink Painting", Artist, Winter 2022, pp. 57-62. ) (Chinese only)

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2022    胡筱雯，〈疫下大學藝術畢業展 繪畫傷口 修補墓碑〉，明報，2022年6月10日。 (Wu Siu Man, "University Art Graduation Shows under Pandemic Depict Wounds and Mend Gravestones", Mingpao, 10 June 2022.) (Chinese only)

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2022    張廷匡，〈今晚再晚：中大藝術系畢業展 2022〉，出品工作室 Choose and Chosen Studio，2022年6月8日。 (Louis Cheung Ting Hong, "Que Sera, Sera: The Art of CUHK 2022", Choose and Chosen Studio, 8 June 2022.) (Chinese only)

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2022    張廷匡，〈樂乎？——朱樂庭的山水賦〉，出品工作室 Choose and Chosen Studio，2021年12月30日。 (Louis Cheung Ting Hong, "The Landscape Paintings of Chu Lok Ting", Choose and Chosen Studio, 30 December 2021.) (Chinese only)

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2022     ART MAP 藝術地圖（香港版），2022年1月，頁1。 (ART MAP (Hong Kong), January 2022, pp. 1.)

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2021     ART MAP 藝術地圖（香港版），2021年10月，頁1。 (ART MAP (Hong Kong), October 2021, pp. 1.)

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2020     許莉霞，〈藝術系學生建造療傷空間 讓人看見治癒的可能〉，明周文化，2020年2月23日。 (Hui Li Ha, "Art Students Demonstrate Ways of Cure by Constructing Healing Space", Mingpao Weekly, 23 February 2020.) (Chinese only)

 

2020     Christina Ko. (2020, February 24). Five stages of trauma recovery brought to life by artists amid Coronavirus outbreak and Hong Kong protests help audience deal with current times. South China Morning Post [Hong Kong].

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INTERVIEWS

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2023     Natalie Chu (朱樂庭) - 藝術創作者 - Artworks created from the remnants of tombstones, Masquerade HK

2023     "I won't say there's no future for the Hong Kong art community", Vlight

2022     朱樂庭 香港藝術創作者，Masquerade HK (Chinese only)

2022     Chu Lok Ting, Natalie - An Artist in Hong Kong (Part 1), Masquerade HK

2022     Chu Lok Ting, Natalie - An Artist in Hong Kong (Part 2), Masquerade HK

​2022     藝術家訪談 | 《回憶沒有歸途》| 朱樂庭 | a.m.space 言本當代 (Artist Interview | "Memory Has No Return" | Natalie CHU | a.m. space)

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PUBLIC TALKS / WORKSHOPS

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​2025    “Ripples of Echoes: Reflections on “Memory Smuggler”, To Art House, Hong Kong​

2024    “Hong Kong Art Now”, Art Central, Hong Kong

2023    “From Dunhuang to Paris: ink rubbing workshop”, Liberial Arts College of Paris, Paris

2023    “Qinta: the embodiment of guqin and its production”, Goldsmith University, London

2023    “L’Eau Papier” Ink and Rubbing Workshop, diptyque Paris, Hong Kong

2022    “HART Ink Artists in Conversation”, HART Hong Kong

2022    “The Monument of Time – From Antiquities to Artistic Creation”, a.m. space, Hong Kong