PUBLICATIONS
2022 朱樂庭,〈墓之墓〉,明報星期日生活,2022年7月17日,頁7。 (Chu Lok Ting, "Grave of Grave", Sunday Mingpao Newspaper, 17 July 2022, pp. 7.) (Chinese only)
REVIEWS & PRESS COVERAGE
2024 尚善,〈旅發局 「藝聚香港」推動年青藝術家走向世界 展現香港藝文特色〉,香港01,2024年3月29日。 (Sheung Sin, "'Hong Kong Art Now' by the Tourism Board Takes Young Artists towards the World", HK01, 29 March 2024.) (Chinese only)
2023 〈堅尼地城石碑〉,載梁基永,《香江佳城 香港華人古墓兩千年史》,香港:商務印書館,2023,頁128。 ("Steles in Kennedy Town", in Liang Ji Yong, 2000 Years of Ancient Chinese Graves in Hong Kong, 2023, pp. 128.) (Chinese only)
2023 Christine Chan Chiu (2023). Postmodern Tales at HART. Artomity, Winter 2023, pp. 86-87.
2023 馮以力,〈當代書法藝術的縱橫錯步——對各種發展進路之反思與相榷〉,載《橫山獎:2022橫山書藝研究與評論雙年獎》,桃園:桃園市立美術館,2023,頁218-237。 Fung, Y. L. (2023). The Crisscrossing of Contemporary Calligraphy—a Review of Developments and Possibilities. In Hengshan Awards: 2022 Hengshan Biennial Awards for Calligraphy Research and Criticism (1st ed., pp. 218-237). Taoyuan, Taiwan: Taoyuan Museum.
2022 胡筱雯,〈疫下大學藝術畢業展 繪畫傷口 修補墓碑〉,明報,2022年6月10日。 (Wu Siu Man, "University Art Graduation Shows under Pandemic Depict Wounds and Mend Gravestones", in Mingpao Newspaper, 10 June 2022.) (Chinese only)
2022 ART MAP 藝術地圖(香港版),2022年1月,頁1。 (ART MAP (Hong Kong), January 2022, pp. 1.)
2021 ART MAP 藝術地圖(香港版),2021年10月,頁1。 (ART MAP (Hong Kong), October 2021, pp. 1.)
2020 許莉霞,〈藝術系學生建造療傷空間 讓人看見治癒的可能〉,明周文化,2020年2月23日。 (Hui Li Ha, "Art Students Demonstrate Ways of Cure by Constructing Healing Space", Mingpao Weekly, 23 February 2020.) (Chinese only)
INTERVIEWS
2023 Natalie Chu (朱樂庭) - 藝術創作者 - Artworks created from the remnants of tombstones, Masquerade HK
2023 "I won't say there's no future for the Hong Kong art community", Vlight
2022 朱樂庭 香港藝術創作者,Masquerade HK (Chinese only)
2022 Chu Lok Ting, Natalie - An Artist in Hong Kong (Part 1), Masquerade HK
2022 Chu Lok Ting, Natalie - An Artist in Hong Kong (Part 2), Masquerade HK
2022 藝術家訪談 | 《回憶沒有歸途》| 朱樂庭 | a.m.space 言本當代 (Artist Interview | "Memory Has No Return" | Natalie CHU | a.m. space)
PUBLIC TALKS / WORKSHOPS
2024 “Hong Kong Art Now”, Art Central, Hong Kong
2023 “From Dunhuang to Paris: ink rubbing workshop”, Liberial Arts College of Paris, Paris
2023 “Qinta: the embodiment of guqin and its production”, Goldsmith University, London
2023 “L’Eau Papier” Ink and Rubbing Workshop, diptyque Paris, Hong Kong
2022 “HART Ink Artists in Conversation”, HART Hong Kong
2022 “The Monument of Time – From Antiquities to Artistic Creation”, a.m. space, Hong Kong