Left

Obscurity
Ink rubbing on paper
Diameter of 97cm 

2022

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Right​

Engima
Ink rubbing on paper
71 × 71 cm

2022

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Chinese paintings, especially landscape paintings, are often regarded as a projection of the artist's spiritual outlook and worldview. The Daoist school believes that all things arise from the interaction of the two polarities of yin and yang, and this applies to landscapes as well. Both works depict scenes of immortal islands, symbolizing a realm that the hearts yearn for. The two works contain contrasting and complementary elements: square and circle, void and substance, light and dark. Each polarity can serve as an independent depiction of an immortal mountain landscape, or they can break the static opposition to become a unified entity, constructing a complete world. Both works are created using the technique of rubbing, where the image is first carved onto a base plate, and then through multiple methods such as paper transfer and sectioning, the image is replicated onto a single sheet of paper.

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左

窈窈冥冥 

水墨拓印紙本 

直徑97cm

2022

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右

昏昏默默

水墨拓印紙本

71 × 71 cm

2022

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中國繪畫，尤其山水畫，多被認為是畫家精神面貌與宇宙觀的投射。道家學派認為萬物皆由陰陽兩極的相互作用產生，山水亦然。兩件作品皆為仙島之景，即喻為人心神嚮往的境地。兩件作品具互相對照、互補的元素：方與圓、虛與實、明與暗，兩極各自可成為獨立的仙山造景，也可以打破靜態的對立，成為統一體、築構完整的世界。兩件作品均以拓印技法作成，先是在底板上刻出畫面，再透過移紙、分板等多重方法將畫面合拓在一紙之上。

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